Go teach a guy to knit, you could win fabulous sock yarn!!!
There's a million crafters in Fiber City and we've all got a yarn to spin, knit, crochet, weave...
Tuesday, July 22, 2008
Wednesday, July 16, 2008
The Genius of Chihuly
Or, how I spent my summer vacation.
This year instead of stalking Kaffe Fassett in Europe or learning how to dye textiles in India, I took the days off surrounding the Fourth of July and had some quality me time. This means that I switched all of the digital media off (well, all except the DVD player and my iPod) and dove right in to spinning on my new Ashford Joy, knitting on a wonderful double knit pattern from Son of Stitch N Bitch and donating clothes to Goodwill. As if that wasn't enough to keep me busy all the long weekend, I also went to the Dale Chihuly show at the DeYoung Museum in San Francisco AND saw the reunited Yazoo at the Paramount Theatre.
This post will be about the Chihuly experience.
I've never actually been to a solo exhibition of DC's work. The DeYoung had a few lovely pieces in its permanent collection, but I've never been to the Bellagio or to any of his installations in Venice or Seattle. So, this show was overwhelming in the most delightful way.
Anthony and I trekked over to the city at what we thought was a good time, but once we arrived, we saw the crazy long line just to get tickets and I worried that going on a Sunday of a long weekend was not the best of ideas. Fortunately, the line went pretty quickly and the cashier gave Anthony the student discount because they didn't have a disabled one. Honestly, don't get me started on places that don't have discounts for folks in wheelchairs. But, I digress.
Since half of SF decided to go on the day we did, there were limits to the number of people allowed into the exhibit at the same time. We were told that we could enter at 3:30pm but once inside we could stay as long as we liked. This wasn't really a problem since there was a killer Turkish carpet/weaving exhibit I was interested in AND the rest of the museum to explore.
The Turkish exhibit was quite lovely. I don't really understand weaving, but I have a feeling that I would have no patience for it. It seems like a lot of trouble and a lot on investment in tools and materials. Hrrrm. Perhaps that isn't that big of a barrier for me, considering how far down the rabbit hole I've fallen with spinning, but I think a loom would be a huge obstacle to navigate around in our place. But, these pieces were magnificently constructed with beautiful colors and designs. My favorite pieces were the robes! The light was a bit low to preserve the integrity of the fabric and hues, but even under diminished light, it was impressive.
We roamed around the African and Polynesian displays until I realized that I was a bit peckish and needed at least a coffee and cookie from the museum cafe. Yes, the line was from hell, but I made Anthony go ahead and grab a clean table, while I queued up and made my choices. I got a super yummy turkey and poblano spread sandwich (with Peet's coffee!) and I got Anthony an assortment of organic local cherry tomatoes and ranch dressing (with Peet's Coffee). While we were eating our snacks, this scary seagull swooped in (barely missing my head) but then proceeded to peck away at the glass windows/walls of the cafe, because he/she was annoyed with the "other" gull that was mirroring every step s/he made. I captured a quick bit on my camera's movie setting.
Fully sated, we made our way to the Chihuly show.... and I. Was. Blown. Away. Dale Chihuly is such a master of his craft. It was that good. There were crazy Ikebana sculptures, fabulous southwestern motif vessels, glorious organic bowls with glowing edges, a room with a clear ceiling and light shining through hundreds of small glass objects (c.f. the picture with this post), a wall of jellyfish/anemones, boats on black mirrored rivers filled with balls, hanging/writhing pieces that looked like Superman's Secret Lair, and finally a garden of the most unbelievable flora I have ever seen.
We were allowed to take photographs as long as there was no flash, and I took over 200. I was able to edit out the blurry or poorly composed ones, making the final count about 150 but I can imagine taking loads more with a better camera. I only have a Canon Powershot A620 but I dream of a digital SLR in the future.
Anthony and I didn't really fancy coming home just yet, so we went backwards through the exhibit to revisit our favorite pieces. We were finally kicked out at 5:30pm and headed back to the Beast (East Bay is pig latin for Beast). Practically a perfect day with a nice creative shot in the arm.
What have you seen this summer that has filled you with the desire to make art?
This year instead of stalking Kaffe Fassett in Europe or learning how to dye textiles in India, I took the days off surrounding the Fourth of July and had some quality me time. This means that I switched all of the digital media off (well, all except the DVD player and my iPod) and dove right in to spinning on my new Ashford Joy, knitting on a wonderful double knit pattern from Son of Stitch N Bitch and donating clothes to Goodwill. As if that wasn't enough to keep me busy all the long weekend, I also went to the Dale Chihuly show at the DeYoung Museum in San Francisco AND saw the reunited Yazoo at the Paramount Theatre.
This post will be about the Chihuly experience.
I've never actually been to a solo exhibition of DC's work. The DeYoung had a few lovely pieces in its permanent collection, but I've never been to the Bellagio or to any of his installations in Venice or Seattle. So, this show was overwhelming in the most delightful way.
Anthony and I trekked over to the city at what we thought was a good time, but once we arrived, we saw the crazy long line just to get tickets and I worried that going on a Sunday of a long weekend was not the best of ideas. Fortunately, the line went pretty quickly and the cashier gave Anthony the student discount because they didn't have a disabled one. Honestly, don't get me started on places that don't have discounts for folks in wheelchairs. But, I digress.
Since half of SF decided to go on the day we did, there were limits to the number of people allowed into the exhibit at the same time. We were told that we could enter at 3:30pm but once inside we could stay as long as we liked. This wasn't really a problem since there was a killer Turkish carpet/weaving exhibit I was interested in AND the rest of the museum to explore.
The Turkish exhibit was quite lovely. I don't really understand weaving, but I have a feeling that I would have no patience for it. It seems like a lot of trouble and a lot on investment in tools and materials. Hrrrm. Perhaps that isn't that big of a barrier for me, considering how far down the rabbit hole I've fallen with spinning, but I think a loom would be a huge obstacle to navigate around in our place. But, these pieces were magnificently constructed with beautiful colors and designs. My favorite pieces were the robes! The light was a bit low to preserve the integrity of the fabric and hues, but even under diminished light, it was impressive.
We roamed around the African and Polynesian displays until I realized that I was a bit peckish and needed at least a coffee and cookie from the museum cafe. Yes, the line was from hell, but I made Anthony go ahead and grab a clean table, while I queued up and made my choices. I got a super yummy turkey and poblano spread sandwich (with Peet's coffee!) and I got Anthony an assortment of organic local cherry tomatoes and ranch dressing (with Peet's Coffee). While we were eating our snacks, this scary seagull swooped in (barely missing my head) but then proceeded to peck away at the glass windows/walls of the cafe, because he/she was annoyed with the "other" gull that was mirroring every step s/he made. I captured a quick bit on my camera's movie setting.
Fully sated, we made our way to the Chihuly show.... and I. Was. Blown. Away. Dale Chihuly is such a master of his craft. It was that good. There were crazy Ikebana sculptures, fabulous southwestern motif vessels, glorious organic bowls with glowing edges, a room with a clear ceiling and light shining through hundreds of small glass objects (c.f. the picture with this post), a wall of jellyfish/anemones, boats on black mirrored rivers filled with balls, hanging/writhing pieces that looked like Superman's Secret Lair, and finally a garden of the most unbelievable flora I have ever seen.
We were allowed to take photographs as long as there was no flash, and I took over 200. I was able to edit out the blurry or poorly composed ones, making the final count about 150 but I can imagine taking loads more with a better camera. I only have a Canon Powershot A620 but I dream of a digital SLR in the future.
Anthony and I didn't really fancy coming home just yet, so we went backwards through the exhibit to revisit our favorite pieces. We were finally kicked out at 5:30pm and headed back to the Beast (East Bay is pig latin for Beast). Practically a perfect day with a nice creative shot in the arm.
What have you seen this summer that has filled you with the desire to make art?
Monday, July 7, 2008
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